I'm wondering if you're talking about the final M.A.S.K. season, when I was Senior Story Editor at DIC. Ray Dryden and I wrote thirteen episodes in two weeks and I also served as story editor for the ones Ray wrote.
The story is that I was sitting in my office at DIC one day and the president, Andy Heyward, comes in and says, "I need an 'Olesker Job'." (Which was Andy's parlance for 'fast and great.' I alwyas kind of liked that.

) He told me "Pick a writer, then you and him go home for two weeks and come back with thirteen half-hour scripts for M.A.S.K." That's exactly what I did. Ray and I set up a hotline, working around the clock and calling each other at three and four in the morning. I confess some of the weaponry was a bit bizarre, but we had a lot of fun creating it and we were intentionally trying to push the envelope and be a little tongue-in-cheek.
I had M.A.S.K. and V.E.N.O.M going all over the world on races -- Baja, Palm Springs, etc.
Your Cookie Jar reference may be because I wrote and story edited that season of the series when I was at DIC, and DIC was later acquired by Cookie Jar so their library was folded into Cookie Jar.